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World Literature Today (Oklahoma), Fall
1977
Histoire du gouffre et de la lunette
(Story of the chasm and the telescope)
By Katharine W. Carson
Baruch College, CUNY
Pierrette Fleutiaux is a brilliant young writer the compelling
qualities of whose singular imagination brought her considerable acclaim
with the appearance of her first novel, Histoire de la Chauve-Souris
(Story of the bat). Her second book, Histoire du gouffre et de la lunette
(The Story of the Chasm and the Telescope), is a collection of
eight " nouvelles " which, taken together, comprise
a sort of metaphysical journey wherein the ambiguous author-narrator plots
his or her vertiginous course in a quest for space and for a balance between
contingency and eternity.
The book is a curious fusion of existentialist themes (contingency, alienation,
anxiety, nothingness), psychological symbolism and surrealistic hallucination
- all refracted through the author's obsessively mathematical optique.
Between the introductory story - an excursion into pure fantasy -
and the concluding one, philosophically titled Le dernier angle de
traansparence (The last angle of transparency), the purposeful narrator,
armed with various tools and precision instruments, pursues his or her
quarry in a notional universe of gaping chasms, crumbling buildings and
apocalyptic occurrences. (American readers in particular will be intrigued
by the author's remembered perceptions of New York, the locale of some
of the book's most nightmarish episodes.)
The book contains several puzzles (a favorite English world of the author
herself). One is the vacillating gender of the narrator. The " Je "
of Histoire du gouffre, for example, turns out to be a man. Yet
one would not suspect this from the series of brooms, casseroles and vacuum
cleaners he deploys so freely at the beginning of the story. This ambiguity
continues throughout the collection.
In spite of its earnestness - and indeed the reader is prone to share
the narrator's frustrations, anxiety and solitude - the book is not
unrelieved by humor, much of it achieved by the juxtaposition of banal
details with philosophical dilemmas.
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